Surprise Ending

Day 26 of 30 paintings in 30 days, and it started out  rough, but ended ok...

Acrylic, "A Pose",  10 x 8 inches on canvas panel

                                                                                         Available at DPWs
This painting started out life as a tree, a simple tree.  What started out as a simple painting tumbled out of control.  Got up early and had a small sketch I planned to quickly paint for today's painting.  It started out well but did that mistake that happens, went too far and lost the original idea.

where I started

Still interesting

A point to far

Should have stopped here, I wanted it abstract and colorful,  did I?  No...
Got to this point and just wasn't happy.  While it was still wet dumped some pinks and iridescent paints on it, scraped in some texture, and start over.  Love what I ended up with, so sometimes a failure and change of direction is a good thing!
Mary
Schiros_Art

Preparing for Abstracts

"Secrets"  Mixed media 24 x 18  inches

 

 

"Rust and Steel" Mixed media

It often appears that an abstract art work is quick and spontaneous.  Sometimes abstracts do happen that way.  But often there is a lot of preparatory work going on behind the scene. 

For most of the abstracts I do in watercolor or acrylic I use some collage.  For collage I like to texture and design my papers.  This could involve textured artist tissue paper with gesso and paint, there times I use ink, and solvent on found papers, to get usual effects.

To apply my collage parts I use a mix of gloss and matte medium, fluid for thin papers, and gel for heavier ones.

The process of textured the papers to use take a few days and layering then into the work takes several days also, because it is best to layer thinly allowing each layer to dry before apply the next.  Any painting between layers and at the finish should completely day before finishing with varnish.

Yesterday I spent the whole day just making collage papers. Today I am sorting and figuring out which ones are best to use. Next will be laying them out on a gessoed panel and creating the basic design. That is the process I used in the paintings that I am sharing above.  

 

 

piles of ink textured paper getting sorted

close up of one paper

another example of paper

 Mary

Schiros_Art

Second Ink

 

 

 

Acrylic on paper, 20 x 16 inches

     Still working with the quick ink sketches I posted last time.  This is the second one.
Worked this up on red gessoed watercolor paper, and pick only primary colors to experiment with.
This is just one option, and I plan to try different variations to the way I paint it, but you need to start some where.  While I was painting, the thought of  "disconnected  conversations" kept popping into my head. I may later follow up on that idea.  It is always a good idea to jot down the ideas that can give a future work a direction to follow, that can be as important as the sketch.
Hope that sharing this process, encourages new ideas and gets painters to get those brushes going:)

Art Series

the 3 completed, lined up out on the patio 

  

I made a resolution this year to paint in series of three.

Some times I end up with 3 paintings that are wonderful and go well together.

Other times it takes 3 tries to get what I want.  So far I am learning a great deal from painting this way and plan to keep working with this practice.

   With my last series of three, I ended up two that are perfect together and one that got painted over.  But even with the one that didn’t work out, it started me in another direction. 

  The two I like I call more sky writing, the idea that everything about the world is there before our eyes, only in a language we can not read yet.  The one that I painted over fell away from that direction and frankly reminded me of a bad Bob Ross painting.  But after painting over about 2 thirds of it I saw an ocean pattern developing and decided to start writing by waves.

    

Mary's websites:

Artavia       Fine Art  

   Artmajeur

 Zazzle

the 2 keepers

 

last look before saying good bye

painting over what I did not like

the remake in process

Painting with Leftovers

Acrylic 10 by 8 inches, acrylic skin and paint knife

      

I Thought II             I thought I would share a neat way to use leftover acrylic paint.  Depending on what you use for a palette, often the dry paint film can be pulled off.  There are palettes of plastic that are made for just that, but plastic sheets used as drop clothes work well to.  I often cover the whole table I am working from with a plastic sheet then use the whole table as a palette.

Once there a     Once there are enough dry layers of acrylic you can catch an edge and peal it off.  Usually, the under layer is the most interesting.  You can then cut the piece of acrylic film, often called a skin, and glue it down to a painting surface with an acrylic gel medium, let it dry and paint over and around it to make a new and interesting piece of art.

A dry acrylic film ready for my next work

This is the underside, it is usually shinny, smooth and very interesting

Art and Reading

The start

What is a good book?
 A book you can't wait to to start reading.
Once you start it, you can't wait to read it all.
By that  I mean, not just finish, but absorb it all, over and over again.
But the mark of a really good book; you have to stop, at many points in it, put it down
and act on the idea that grabs you at that moment, then go back.
That  is a good book.

My reading list right now:

"Ignore Everybody,and 39 other Keys to Creativity", Hugh MacLeod.
   examples: "Stay ahead of the culture by creating the culture." Hugh MacLeod.

  
"Steal like an Artist", Austin Kleon
    examples: "As Salvador Dali said, "Those who do not want to imitate anything, produce nothing."
                    "Steal it 'til you make it."  Austin Kleon

And a little sci-fi for fun: "Agent of the Stars", John Scalzi
    "I didn't know which was more fundamentally disturbing: that the ''jell-o was talking to me,
 that it had a sense of humor,
or that it had better manners than I did."   John Scalzi

Oh and between reading there is always some painting
Here is a start and finish...gotta share art when I blog....after all this is an art blog:)

(for more art visit my web site  on Fine art )

the finish

 

 

 

 

Cat Printing and Musings on Art

Cat helped printing

The Cat Artist…..I just want to share the finished work from my last post.  Also, sharing the secret of how the last print was completed.  I started with a red printing of my design and planned the second layer to be a light teal color.  I completed 12 prints that I proudly set a side to dry, when my crazy domestic Bengal cat managed to sneak into the studio and proceed to pounce on the drying pile of prints.  Six prints survived and 6 others had a variety of paw prints added.  After chasing my four legged painting partner out, I gather up the ruined prints and started to throw them out.  Throwing out art work in hard to do and I just could not let them drop in to the trash can.  So, I rolled out some fresh black ink and added one more layer.  Well, I guess my cat had a better plan than mine; the last six prints are now my favorite.

test print of the top layer

where I had planned to stop

printing over a mono print, there is a cat under that top pattern

 

My musing for the day….It is interesting looking at the printing I have been doing, I think the designs could be worked up in photo shop or cut and pasted from glossy magazine art.  But, the process of carving the lines and rolling the ink is what makes this art work.  Viewing the work you can see the texture of the ink, that slight rise and sheen that it creates and that is the character of relief printing.  I just hope that young artists don’t get cut short by technology and miss the process, that part of creating that comes only from working with ink covered hands.

And I always finish my printing day with a finger paint mono print from the left over ink.

Take it and run with it

first printing

Take it and run with it…

Recently I took a Zentangle class, if you are not familiar with that, it is a form of ink drawing, based on patterns.  I was not sure where it would lead but found the process interesting.  Working with the ink drawings has managed to lead to new ideas, and that is why I love to take class and workshops when ever I can. 

   The class had a project of that involved drawing with white ink on black paper.  Look at the designs from the class I noticed that those patterns would make a good template for ink relief printing.  The reason for that is when printing you have to think in reverse of what the final print will look like.  Thought I would share some pictures of the process and where it is leading.  These are just the first in a series of ideas that will end up as finished art works. 

   Hope this inspires you to try some new projects.  For more information on Zentangle check out; http://www.zentangle.com/, an look for friends of Zentangle on Face Book.

white ink on black paper

rough lay out for print plan 

foam printing plate

another plate for print

first inking of a plate

idea

idea

idea

and yet another idea

Confessions of an art supply junkie

Pictures, Wolf; wax and silver point

Crow; wax and watercolor

Abstract; watercolor, ink and collage

Dragonfly; acrylic, litho pencil, and watercolor

There are two phases in the growth of art, learning and experimenting.

I am a firm believer that to make good art you need to know the basics.

A good painter needs to know how to draw. Value sketches, design plans are foundations to a good piece of art. Knowing color will develop richness and emotion to a painting.

Phase one you learn the rules, phase two you break the rules.

The art junkie habit grows with every new or different art supply I stumble across. The new material has properties that take some time to learn. That is simple enough but then I have to see what it does with other material I already have. Rules start getting broken experiments happen. Soon the conservative watercolorist is venturing into the scary new world of mixed media. I try to give the new addition a safe name, water-media, and that works for a while. Then the oils and waxes start sneaking in and I have to confess I am on my way to a life as a mixed media artist.

I hope my family and friends will forgive and that moments of pure watercolorist will still emerge. The adventurer in me is not going to stop, so here is to experimenting and breaking rules.

Some of my favorite places to learn and get supplies are on the net and locally.

Locally:

Boundless Arts, Grand Blanc, MI

FIA, Flint MI

On the net:

Wet Canvas

Robert Burridge