Rough start

Today's painting: "Urban Statues"

 Thought I would share my latest painting, start to finish.  I have been working more and more with palette knives and loving it.  I started this by hanging a 5 minute figure drawing on news print from a class last year on the wall for reference.  Then I picked a canvas 20 by 24 deep wrap, love these because they look so good with out framing.  Next I opened my jug of thick black gesso, a bottle of white gesso,  picked up a palette knife and went at it.  Using the knife keeps the structure loose and creates a lot of texture.  With the rough sketch done I left it to dry over night.  The next day I started adding some color.  With shape and color in place I left the painting out where I could view it and find areas to change and correct. I do spend as much, if not more time, just looking at my paintings between actual painting sessions.
   I liked the basic idea but want to pull the far right figure forward, and work with more neutral color.
As I was working on this more ideas came to mind for a couple more paintings....more to follow later.
   More art on my website  mary-schiros.artistwebsites.com

rough black and white gesso start

Midway, through.

Try it all

Media makes a difference

A simple subject, such as a dog profile can change significantly, depending on the art media used to express the subject.  For me the media often sets the tone of the feeling being created in the picture.  How you express with different tools is some thing to keep in mind when working on a subject.

With pen and ink detail and design sing out.  Ink and a summi brush will be loose and free spirited.  When using acrylic color and texture dominate.  But then if the paint is watercolor the mood and color will create a totally different style.  This is why I love to try new media, just to see what the media has to teach me.  There is something to learn from every tool we try.

Color Please

I love doing this style of abstract painting; it is like putting a puzzle together.

This can be done in watercolor or acrylic.  If you use acrylic, fluid acrylics work the best.

The trick is to let the colors flow and blend on the paper or board (I am using Aqua boards in the examples. Blowing on the colors will help direct drips and runs.  But the key to making it work is to really plan your color choices first and then stick to them.  The main colors; magenta, crimson red, viridian green, Quinacridone gold, (golden fluid acrylics) teal and Indian red ink.  The first time you do this try using just 3 colors.  Limiting the colors will help prevent ending up with a puzzle in shade of mud.  Wet your paper or board in random areas, then drop colors in not letting them touch until you tilt and move the paper.  When you get some interesting colors and drips set it aside and let it dry.  There should be distinct colors, blended colors, and plenty of white spots in random shapes with a far amount of drips. I also just use one large flat brush and a disposable pipette, because at this point I want the picture to paint it’s self in the water.

   After it is dry, start painting in colors, mixing some neutral colors from the ones you started with adding white or black to create light and dark neutrals.  Let that dry completely.

     The last step is to add some detail, I use paint markers.  Also, Working on more than one at a time, help pass the time as each one is drying.

my tools that start the painting.

randomly wet areas

the first drops of colors, I usually start with just 2 colors.

one more color and some more swirling.

My colors choices, for the 3 boards I will work up.

drops and swirls

more drops

more drips

Starting to add more color

the three mid way thru

 

 

 

One done 2 more to go.

An example in watercolor and ink