Sunday, September 16, 2012

The Process

Oil 16 x 12 inches
Ink 7 x5 inches




    Art is always on my mind.  And the only way to deal with an obsession like that is to learn to live with it.  When the TV is on, I am doodling, when I go out there is always a small sketch pad with me.  Even when I get ready to sleep there is a sketch pad near the bed, for those times a picture pops in my brain just as my eyes are closing.
     Because I have learned to grab ideas when ever they happen, I always have a source to work from when real time allows.
   Thought I would share the start of one of these ideas.  The sketch is on a small 5 x 7 drawing pad, one of many I did while pretending to watch TV with my husband.  When I had the time to get some oil paint out, instead of sitting and trying to think of something to paint, I accessed the nearest sketch pad and picked the first one that caught my interest.
   The Painting is on watercolor paper 140 lb that was gessoed with orange colored gesso.  I keep a small pile of prepped paper handy.  This is a working idea now.  The small painting is complete, but also may lead to a larger work.  

Thursday, August 2, 2012

Beyond the demonstration



   I did some acrylic painting workshops last year and had a few demo paintings left over.
In the workshop we sectioned off a 20 x 16 canvas and did a different technique in each area.  
the students in the class got the concept of the techniques very well, the hard part was getting them to use consistent colors for each section, so it would all tie together as a piece as a whole.  But, face it we as painters are all like a kid in a candy store when it come to having a range of paint colors to pick from. 
   I decided instead of just painting gesso over them I would see where I could expand the work.  
Thought I would share the process of two of these paintings.

The first one was near done so there was not a lot to do to it...

Finishing it off with some extra mark making.   

The second sections were complete, but it still had the tape on it.



I added some over all color to get rid of the white.
Next I added some overlapping shapes and lines.
Finished it off with more lines and shapes.

 The pair done

This is a third one that started out the the same from a demo that I took further.

 

Thursday, July 26, 2012

Changes

this is a practice in abstraction
Sometimes I play.....



Other times I become more serious and do some work that is deep in thought and meditation.
"A Moment in Time"
What I mean by that is; the act of painting a simple feeling.  I keep a thought or mood in my mind and let it happen on the canvas.

   The way I approach this sometimes is by working over a previously painted canvas.  Both painting shown here are on the same canvas, the still-life is the latest and final version.  Working on a canvas that already has structure and color, adds freedom to explore, and experiment.  And there are touches of each work still present.  Keeping a small section peeking out from the old to the new.  And texture, lots of texture, each work builds into the next.
   Just wanted to share another look into how I paint.

the final work in complete and now on my website.

Art Prints

Wednesday, July 4, 2012

Sharing a Memory

"Memories"


Set up outside starting painting, raw canvas clipped over a 2 x 4 foot wood board.


The last few good flowers 

 
   I am sharing a personal story today.  About a week ago my wonderful greyhound Maggie passed away.  She was a retired racing greyhound we adopted when she was finished racing.  Maggie was a sweet and wonderful pet.  We lost her to a stroke.
The day she passed away I had to work third shift at the hospital, and needless to say it was a long sad night for me.  In the morning when I was headed home I was in tears because I knew it would be the first day in a long time that I would not be greeted at the door with a happy dog waiting.  When I got home I opened the door and on a table waiting for me was a jar full of carnations and chocolates, my husband had set it up so I would still come home to a welcome feeling, he is a very thoughtful man and I really appreciated it.
   Today the week flowers were wilting, a few blooms still hanging in there.  I separated the good ones and set up my canvas and paints outside.  Spent the day painting what I call
“Memories”.  Thought I would share the out come, a 4 foot by 2 foot still life. 

Monday, May 28, 2012

Art Series


the 3 completed, lined up out on the patio 




  

I made a resolution this year to paint in series of three.
Some times I end up with 3 paintings that are wonderful and go well together.
Other times it takes 3 tries to get what I want.  So far I am learning a great deal from painting this way and plan to keep working with this practice.
   With my last series of three, I ended up two that are perfect together and one that got painted over.  But even with the one that didn’t work out, it started me in another direction. 
  The two I like I call more sky writing, the idea that everything about the world is there before our eyes, only in a language we can not read yet.  The one that I painted over fell away from that direction and frankly reminded me of a bad Bob Ross painting.  But after painting over about 2 thirds of it I saw an ocean pattern developing and decided to start writing by waves.
    
Mary's websites:
Artavia       Fine Art  
   Artmajeur


the 2 keepers


last look before saying good bye
painting over what I did not like
the remake in process





Wednesday, May 9, 2012

Painting with Leftovers

Acrylic 10 by 8 inches, acrylic skin and paint knife


      
I Thought II             I thought I would share a neat way to use leftover acrylic paint.  Depending on what you use for a palette, often the dry paint film can be pulled off.  There are palettes of plastic that are made for just that, but plastic sheets used as drop clothes work well to.  I often cover the whole table I am working from with a plastic sheet then use the whole table as a palette.
Once there a     Once there are enough dry layers of acrylic you can catch an edge and peal it off.  Usually, the under layer is the most interesting.  You can then cut the piece of acrylic film, often called a skin, and glue it down to a painting surface with an acrylic gel medium, let it dry and paint over and around it to make a new and interesting piece of art.

A dry acrylic film ready for my next work

This is the underside, it is usually shinny, smooth and very interesting